Courtney Milan doesn’t know me, but I’m going to thank her anyway. Why representation is my job because writing is my superpower.
Saying Inclusion is political but exclusion isn’t leads to story worlds where most of us don’t exist. And if we don’t exist in fiction, our existence in the real world remains precarious.
Even as our bodies are strewn across the straight world’s entertainment landscape, we’re expected to be grateful to have even been included. Applause for the bravery of the mainstream writer for their diversity and daring.
REBLOG Steven Spohn’s essay at Terrible Minds: I Am Not Your Plot Device.
After the writing comes the editing. After the editing comes the proofreading. Jedi proofreading.
Karin Kallmaker’s Writer Brain and Editor Brain duke it out for supremacy, then a real editor shows up.
I learned more than three things from Melissa Brayden at #gcls2015 – now to put them to work! Plus, here’s the current opening of Captain of Industry I read at the Con.
Heidi Cullinan nails The Mary Sue for a lazy, unresearched, hetero-only smear piece on romance writing.
If you don’t know the name Grace Hopper, spend 16 minutes with the QUEEN OF CODE from the Signals channel at 538. Populate your scenes of computer science with Grace Hoppers. And Hedy Lamarrs. And the women they have inspired like Brittany Wenger.
Comments on and links to Chuck Wendig (Terrible Minds) blog on real agency for female characters, and Ada Hoffman’s excellent Twitter series about agency in plot, not character.
In which Karin Kallmaker answers Jowita Bydlowska’s (“Confessions of a Failed Romance Writer”) breathtaking disrespect of romance writers and readers. There is cursing.
y example is from Love by the Numbers: “She loved her beautiful back hair.” I caught that in the last proof before the book went to press. Take the time to read KG MacGregor’s hilarious examples of exactly what Spellcheck won’t do for you!
Authors behaving badly. Readers retaliating. This is why we can’t have nice things? Like a viable feedback loop that helps writers grow and readers get better books for their money?
The quip above was almost an aside, but I have thought of it often.
How do weird typos still find their way into final manuscripts? Let’s start with “balsalmic.”
My take on the “What We Actually Do” meme for Romance Writers. The art displayed is either public domain or licensed for non-commercial use. Creative Commons SSA-BY Copyright.
What the editor will focus on, I hope, is if this scene is where the book should begin. For this book, choosing the opening has been the single most important decision I’ve had to make, and I’ve agonized.
How can something that happens with every book always come as a surprise? Even in the throes of self-doubt I don’t recognize it.
This seems to me close to my personal rule, “If I read it aloud and pause, that’s where the comma goes.” This after years of being told that was not how to do things.