Love is the Universal Story

Karin Kallmaker is an American lesbian writer of sapphic romance and other genres. She believes Love is the Universal Story and queer people are the heroes of their own lives. Karin is powered daily by coffee and ice cream. She/Her. Cis.
Beginnings
Karin's devotion to lesbian fiction began after the film Desert Hearts led her to the library and onward to the women-in-print network of publishers and bookstores. Her lesbian fiction novels include multiple Goldie and Lammy award-winners. Best-selling works, writing as Karin Kallmaker, include Cowboys and Kisses, Captain of Industry, The Kiss that Counted, Maybe Next Time, and Sugar. Genres include sapphic romance, lesbian erotic romance, historical romance, and - sometimes using the pen name Laura Adams - lesbian science-fiction/fantasy.
Her writing career began in 1989 with the storied Naiad Press where she was fortunate to work with Barbara Grier and Donna McBride. Katherine V. Forrest was her first editor and continues to edit recent works as well. She has worked with numerous editors as a writer and during her tenure as editorial director for Bella Books.
Today
Current novels are published with Bella Books and her bibliography includes more than thirty novels in print and dozens of short stories and novellas. She is a Stonewall National Museum, Archives & Library Distinguished Author and a Golden Crown Literary Society Trailblazer.
Personal
The California native lives near San Francisco. She and her wife, writer and historian Maria Kaj, have been partnered for nearly 50 years. They are the mothers of two exceptional kids, now all grown up. She blogs regularly at Romance and Chocolate about writing craft, book business, and lesbian life, and is quite pleased to be descended from Lady Godiva. She is a breast cancer survivor and encourages everyone to get their squish.
Search on social media for "Kallmaker" - there's only one.
Translations and Audiobooks
Translations of her novels include Spanish, French, German and Czech. More than five dozen short stories have appeared in anthologies from publishers like Alyson, Circlet, Cleis, Bold Strokes, and Haworth. Current and many backlist titles have been professionally performed for audio editions.






